Piranesi Drawings: Visions of Antiquity

1908,0616.44 (recto)-1

(British Museum, London, 20 February until 9 August 2020)

What do you think of when you think of Piranesi? Labyrinthine staircases and ominous prisons? The ruined monuments of ancient Rome? Marble vases brought home by Grand Tourists and Swedish kings? All of these would be absolutely correct, but each of them offers only one facet of the man. One way to get a broader sense of Piranesi’s achievements, as architect, designer, printmaker, publisher and art dealer, is by looking at his drawings; and, by happy chance, you can do just that at the moment here in London. In a completely shameless act of self-promotion, I wanted to flag a free exhibition at the British Museum (curated by me), running from tomorrow until 9 August 2020. Piranesi drawings: visions of antiquity presents all 51 of the Museum’s drawings by Piranesi. It’s one of the richest collections in the world, spanning his career from his arrival in Rome in 1740, as a young man of twenty, to his death in 1778 as one of the most influential and admired advocates of ancient Roman architecture. There’ll be traces of ‘your’ Piranesi here, whether you know him best as a visionary printmaker or a methodical antiquarian, but I hope you’ll also get a sense of just how exuberant and wide-ranging his talents were. Join me below the line for an unofficial romp through Piranesi’s life and work.

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The Land of the Leopard (Sicily)

 Trinacria, Sicily

This is going to be a long one, because I’m bubbling over with enthusiasm. I’ve just returned from a marvellous week in Sicily with my parents, who had very kindly taken pity on me and invited me to join them on Voyages Jules Verne’s ‘Treasures of Sicily’ tour. This post therefore has two parts: the first focuses on Sicily itself and the places we visited, while the second part focuses on my experience of travelling with an organised group.

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