In the immortal words of Granny Weatherwax, ‘I aten’t dead’. On the contrary, I’m clawing my way out of a period dominated by the noble (but absolutely demented) effort of writing an exhibition catalogue, from scratch, including research, in three months. (A word of advice: don’t ever do this.) There’s been lots of other stuff going on, some delightful, some rather gloomy, but holidays are now less than a month away and I’m starting to get a grip. I have been reading and seeing operas and concerts and plays, and I fully intend to write about as much as I can remember through the fog. First up is an easy one: I’ve just finished A.S. Byatt’s The Children’s Book, which I first read ten years ago and which enchanted me just as much second time around. Byatt is a rare writer: erudite, intellectual, compelling and technically brilliant, with a profound but unsentimental sense of compassion. I’ve read several of her novels, but The Children’s Book is my favourite for the way it vividly evokes bohemian life at the turn of the 20th century in England. It captures the magic of childhood before going on, ruthlessly, to show how adults create children, only to destroy them.