Land of the Living (2018): Georgina Harding

★★★★½

With hand on heart, I can say that this is one of the most achingly beautiful, and also most heart-breaking, novels that I’ve read. Our protagonist is Charlie Ashe, a farmer turned British soldier in Burma (now Myanmar) in World War II. In one of two intertwining storylines, we see him wandering in the Burmese jungle after losing his patrol, dazed by its vastness and beauty, even as he reels from the slaughter he’s witnessed. Alongside this story, we skip ahead a year or two and see Charlie again, after his return home to England. He has married his sweetheart and started a new life with her on a Norfolk farm, and yet he still finds himself struggling to come to terms with the trauma of his wartime experiences. The Charlie who has come back from Burma is not the same man who went off to fight, but can he, and his wife Claire, manage to find peace in the aftermath of tragedy? These two strands are woven beautifully together, but the real star in this book is Harding’s writing – eloquent and elegant – which gracefully probes questions of trauma, loss and memory, inviting us to think about survivor’s guilt, the strain of bearing witness, and how those left at home can never truly comprehend.

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Bone China (2019): Laura Purcell

★★★

It is a freezing winter night, early in the 19th century. Hester Why arrives in Cornwall on the mail coach, a hunted woman travelling under an assumed name and tormented by memories of her recent life as a lady’s maid in London. She has seized upon a new position as a maid and nurse to the reclusive Miss Pinecroft at Morvoren House, which stands on a wild and lonely outcrop above the cave-riddled cliffs. Here she hopes to find peace, recover her equilibrium and restore her faith in herself, but she soon realises that Morvoren is haunted by its own ghosts and secrets. Half paralysed by strokes, Miss Pinecroft barely speaks and can only rarely be persuaded to leave the chill of her favoured room, the china cabinet. Her ward, the unfortunate Rosewyn, is still babied and dressed as a child despite being a fully-grown woman. And the household is dominated by the sinister Creeda, who sees the Little People – fairies – and their dangers everywhere. A story of reason and delusion, faith and science, this is a fantastically atmospheric novel, but one that also leaves some frustrating questions hanging in the balance.

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Will (2016): Jeroen Olyslaegers

★★★★

For Proust, the key to memory was a madeleine: for the elderly Wilfried Wils, it’s a snowfall, which carpets the streets around his home in Antwerp. Walking through the city, he remembers how it was in wartime, and decides that it’s time to set down his story, addressing it to an estranged great-grandson. He hopes that this unknown reader will listen and, if not forgive him, then at least understand. The problem, Will knows, is that people like their protagonists to be heroes: the kind of men and women who place principles above their own safety, and protect those less fortunate than themselves. But that isn’t the story that Will has to tell. His is a tale of survival, of self-interest and self-preservation in a world where all certainties have been ripped away; and it isn’t just the tale of one man, but of a whole city. Olyslaegers’s disturbing novel is based around real events in wartime Antwerp, and inspired by the experiences of the author’s own family: his grandfather, who was a Nazi collaborator, and his aunt, the mistress of an SS officer. If it’s unsettling, that’s largely because it forces us to think very hard about how we ourselves would survive under occupation. Would we choose to be heroes, as we’d like to believe? Or would we, too, follow prevailing winds in this ‘life on the razor’s edge‘?

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The Dangerous Kingdom of Love (2021): Neil Blackmore

★★★½

In the English court of 1613, there are two paths to success: noble blood or a pretty face. Francis Bacon has neither, so he’s had to resort to bribing the King’s loathsome little favourite Robert Carr, in order to secure an appointment as Attorney General. This new job offers some protection from Bacon’s phalanx of noble enemies, who’d love nothing more than to see him fall from grace, but almost immediately he learns of a worrying development at court. Robert Carr is due to marry the daughter of the Earl of Suffolk, one of Bacon’s nemeses, and Bacon knows perfectly well that his days are numbered unless he can come up with a way to break their stranglehold over the King. Ideally, he’d dislodge the brattish Carr by finding a beautiful, amusing and irresistible boy to offer up as a new potential favourite for the King. When Bacon’s path happens to cross that of the ravishing George Villiers, he seizes the opportunity, without stopping to think of the challenges that lie ahead: the task of playing Pygmalion and the difficulties that might arise when his creation gains power of his own. Giving centre stage to one of the period’s most fascinating characters, Neil Blackmore’s novel of sexual ambition in Jacobean England achieves the tricky feat of being both historically convincing and enormously fun.

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Mary Toft; or, The Rabbit Queen (2019): Dexter Palmer

★★★½

Once heard, Mary Toft’s story can’t be forgotten. I first encountered it at university, in a class which focused not on the kings and politicians of our core courses, but the stories of ordinary people, gleaned from archives, pamphlets and early journalism. Later, I became aware of Emma Donoghue’s short story about the case (the eponymous story in The Woman who Gave Birth to Rabbits), but I haven’t got round to reading that yet. Dexter Palmer’s lush and troubling novel is my first fictional take on this bizarre morsel of history. The curtain rises in 1726 on the small town of Godalming in Surrey, where the local surgeon John Howard and his young assistant Zachary are called to assist at a birth. Nothing new in that, but the experience shakes Howard to the core, challenging him to rethink everything he thought he knew. With his very own eyes, and his own hands, he witnesses Mary Toft deliver not a child but the dismembered parts of a rabbit. A couple of days later, it happens again. And, as Mary Toft begins to produce rabbits on a regular basis, the bewildered Howard decides to call in support from his eminent medical colleagues in London. This is a story about trickery, but also about belief – our desire to witness the extraordinary – and our willingness to be complicit in our own delusions.

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Wendy, Darling (2021): A.C. Wise

★★★★

I tend to avoid novels which retell or continue classic stories (why do so many people want to rewrite Pride and Prejudice?), but something about A.C. Wise’s Wendy, Darling caught my attention. Peter Pan is already a book that speaks to children and adults in different ways: reading it, as a grown-up, provokes a sense of discomfort that simmers beneath the sheer joy of its nostalgic anarchy. Wise has grasped that sense of ‘somehow wrong-ness’ and anchored it at the heart of her book, a fierce story of female autonomy, courage and memory. It begins, of course, on a dark night in London, in a nursery, where a small girl sleeps in a bed. A slight, lean shape appears at the nursery window: it’s Peter, come to carry Wendy back to Neverland. But Peter has left it too long. The child in the bed is not Wendy. It’s 1931 and Wendy, now a married woman, is in her room when she feels the warning sense of danger. She runs to the nursery, but she’s too late: Peter has spirited away her daughter, Jane. Outraged by the theft, Wendy can do only one thing: she must gather her courage and go to bring her daughter home.

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Wicked By Design (2019): Katy Moran

★★★★

Hester & Crow: Book 2

At the sprawling Cornish manor house of Nansmorrow, key members of the British Cabinet gather to discuss their country’s future. It is 1819 and the French forces which have occupied Britain since Napoleon’s victory at Waterloo have finally been driven out; but what kind of government should take their place? Despite the polite veneer, suspicion simmers between the Prime Minister, Lord Castlereagh, and his host, the enigmatic Lord Lamorna (Jack ‘Crow’ Crowlas). Crow has committed the crime of becoming too popular: disaffected Cornishmen rally to his name and threaten the integrity of the new Britain. English troops roam the Cornish lanes, waiting for an excuse to strike. And, when duplicitous and ambitious Lord Castlereagh gives the signal, Crow is torn away from his beloved wife Hester and their young daughter Morwenna. As Hester and the child flee, Crow is offered a mission he can’t refuse. His destination is Russia, where Tsar Alexander dilly-dallies over his allegiances, Napoleon nibbles at the borders, and Crow must – if he wishes to live – find the hidden heir to the British throne.

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The Foundling (2020): Stacey Halls

★★★

When Bess Bright falls pregnant in 1747, she knows there’s no chance of keeping her baby. As an unmarried mother, how could she afford to feed and clothe a child in the cramped apartment she shares with her father and her feckless brother? Bess knows that her daughter’s best chance lies with the Foundling Hospital, where children are well-fed, clothed, and trained for respectable careers in service. Heartbroken at the choice she has to make, she leaves the newborn Clara in the hands of the Hospital officials, along with a token that Bess can later use to prove her identity – for she’s determined to claim Clara as soon as she can afford to keep her. After six long years, she finally returns to the Hospital, life-savings in hand, to collect her little girl. But she’s greeted by shocking news. Clara is no longer there. Six years ago, on the day after Bess dropped her off, she was collected by a woman – a woman who, according to the ledger, gave Bess’s own name and address. What can have happened? Who would have impersonated Bess to steal her daughter? And can she still manage to find Clara, after all these years?

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The 19th Wife (2008): David Ebershoff

★★★★

I first read this book several years ago, before I started this blog, and although I remember enjoying it immensely, I couldn’t remember the details. It’s Ebershoff’s third novel and focuses on the practice of polygamy in the Mormon church by interweaving the stories of two women, separated by more than a century. One is Ann Eliza Young, the apostate former (nineteenth) wife of the early Mormon leader Brigham Young. Her lectures and writings, represented here by a fictional autobiography, helped to expose the reality of plural marriage and, ultimately, to abolish it in mainstream Mormon faith. In the present day, we meet BeckyLyn Scott, a member of a breakaway fundamentalist sect which preserves the practice of polygamy. BeckyLyn’s husband has been shot dead in his basement den and she, his nineteenth wife, has been arrested for murder. Her son Jordan, expelled from the community as a teenager, comes to believe that BeckyLyn is innocent; but how can he prove it? The stories of these two women intertwine in an absorbing tale of plural marriage, faith and family. To make matters even more interesting, events since the book’s publication have focused international attention on the community that must surely have inspired Ebershoff’s fictional Mesadale.

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The Thief of Time (2000): John Boyne

★★★

I’m really not doing very well on the blog-writing front at the moment. In my defence, it has been a dramatic year so far. We nearly sold our flat, nearly bought a house, and then had it all fall through at the last minute. For over a month, I was so busy with estate agents, conveyancers and the Rightmove website that I barely picked up a book, but fortunately all that is on hold for a while. There is some very happy news too: we recently got engaged, and so there’s wedding planning to be done. While trying to form opinions on stationery and flowers, I’m also trying not to lose myself in a pink-saturated Pinterest feed, never to be seen again. As you can imagine, this emotional roller-coaster has disrupted my reading plans. That ambition I had, at the start of lockdown, to finally get beyond the second volume of Proust? Hasn’t happened. However, I have read a variety of entertaining books in recent weeks, ranging from the fabulous sci-fi-necromantic romp that is Gideon the Ninth, to Dolly Alderton’s surprisingly moving and relatable Everything I Know About Love. For the last couple of days – I’m rather ashamed to admit it – I’ve been absorbed in Lady Colin Campbell’s phenomenally gossipy Meghan and Harry: The Real Story, which has provoked numerous exclamations of, “She didn’t!” Please don’t judge me. But I want to start on slightly more conventional ground, with John Boyne’s The Thief of Time – a book which gave me a certain sense of déjà vu.

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