(Royal Academy, London, until 2 June 2019)
What do St Sebastian, Lucretia, Hercules and Eve have in common? All four of them allowed Renaissance artists to experiment with representations of the nude body. The Royal Academy’s new exhibition – formerly on view at the Getty in Los Angeles – focuses on this depiction of the unclothed form during the 15th and 16th centuries, taking in both Northern and Italian art, and explores the different meanings that the nude could have: from innocence to eroticism, Christianity to classical myth, brute strength to sensuality. It’s almost a shame that a subject of such breadth and promise is confined to the cramped Sackler Galleries upstairs, but the five rooms nevertheless include a select treasure-trove of paintings and drawings by some of the most celebrated artists of the time – some very famous works, other less familiar but remarkably beautiful.