This book caught my eye a while ago, not long after my return from Japan, because I hoped it would tell me a bit more about the country’s lively manga and anime culture. Only now have I got round to reading it (as lighter fare alongside the first five books of Livy’s History of Rome) and I’ve been left feeling rather perplexed. What is it actually meant to be? Part memoir, part travelogue, part pop-culture history, part social analysis, it skips between different guises without ever really settling on one, or fulfilling any. Strangely unsatisfying, it’s perhaps best described as a father-son road movie, in which Carey and his manga-obsessed twelve-year-old son Charley fly to Japan in search of the truth behind this international art phenomenon.