Ormisda (1730): George Frideric Handel and Friends

Ormisda - Maria Ostroukhova

★★★★

(Opera Settecento at St George’s, Hanover Square, 28 March 2017)

I’m running slightly behind on London Handel Festival reports, but didn’t want to forget this remarkable Orsmida, dominated by an absolutely brilliant performance from the talented mezzo Maria Ostroukhova. Like Catone and Elpidia in previous Festivals, Ormisda is a pasticcio, pulled together by Handel using arias from other composers’ operas. Not only did this enable him to fill one of the slots in the 1730 opera season, easing his workload a little, but it also introduced London audiences to some top arias from the Continent. Ormisda pulls together some very enjoyable music by Hasse, Orlandini, Vinci, Leo and Giacomelli, to tell a classic opera seria tale of dynastic politics in ancient Persia.

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Elpidia (1725): George Frideric Handel

Handel: Elpidia

★★★½

(Opera Settecento, St George’s Hanover Square, 31 March 2016)

Herewith another post from the depths of the drafts folder, which I hope still may be of some interest. I’m keen to post it because I’m a great fan of Opera Settecento’s habit of unearthing rare and unusual operas and this performance featured some of my favourite young singers. Many apologies for its lateness, but it all happened around the time of my uncle’s death and I wasn’t really up to blogging at the time. But I had a few scribbled thoughts and wanted to jostle them into some sense of order, so that I can have a record of this enjoyable and particularly complex pasticcio.

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Erica Eloff: The Trials and Triumphs of Love

Erica Eloff

(with Ars Eloquentiae at Handel House, 2 July 2015)

The beginning of July was almost unbearably hot by London standards; and so, on walking into Handel House’s recital room, I was delighted to find a novel solution to the problem. Every chair was graced with its own neat red folded fan. The team should be congratulated: few London venues would be so thoughtful nor so imaginative (I should note that we did have to give them back at the end: a shame, as they were more efficacious than my own).

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