Giulio Cesare (1724): George Frideric Handel

Handel: Giulio Cesare

(directed by David McVicar, Glyndebourne, 20 July 2018)

It’s always nerve-racking when you go to see something you love live for the first time. What if it doesn’t live up to expectations? What if one of the cast has a sore throat? What if, horror of horrors, the manager comes onstage to announce a substitution? But at the same time, how can you resist? My opera buddy H and I had decided that we would pay virtually anything to see the revival of David McVicar’s marvellous Giulio Cesare at Glyndebourne, and our resolution was put to the test when the more affordable seats were snapped up within seconds after going on sale. However, our budget-stretching seats in row B were absolutely worth the cost. Many of the cast from the 2005 production returned, with Sarah Connolly triumphant in the title role, and we could admire every little detail. Coupled with a lavish picnic and a gang of equally excited friends (inevitably christened Team Giulio), it made for a perfect day out, and I can promise you that it did live up to all those months of anticipation.

Continue reading

L’Incoronazione di Poppea: Claudio Monteverdi (1643)

Poppea: Vienna

★★★★

(Theater an der Wien, Vienna, 19 October 2015)

Before seeing Poppea, I’d been warned it was ‘hardcore Regietheater’, a phrase which would normally provoke serious qualms. But even I know better than to go to a Claus Guth production expecting togas and sandals. Despite my conservative tastes I can appreciate regie if it’s done well. It depends whether the director’s taken time to think about the story, or whether he’s simply thrown in sharks, parrots or a live bull for the sake of it. Guth certainly fell into the first category. His production isn’t traditional, but it’s based on an intelligent reading of the story. It toys with the audience’s expectations and makes you think afresh about the dynamics between the characters. This Poppea is good regie: deceptively playful, with a heart of darkness.

Continue reading

Giulio Cesare: George Frideric Handel (1724)

Handel: Giulio Cesare

(Glyndebourne, 2005, directed by Sir David McVicar, conducted by William Christie)

One thing’s for sure. Handel certainly didn’t imagine anything quite like this. With zeppelins hovering over the Alexandrian harbour in the final act and Bollywood-style dance routines thrown into the arias, this production is joyously exuberant and thoroughly addictive. It was the first time I’d watched or heard the opera and it was the perfect introduction: indeed, I ended up feeling quite jealous of the people who’d been able to see it in the flesh.

Continue reading