Pan’s Labyrinth (2019): Guillermo del Toro & Cornelia Funke


Once upon a time, a little girl called Ofelia was born to a beautiful mother and a caring father, who were very much in love. Unfortunately, by the time this story starts, that happy time is long gone. Now Ofelia’s father is dead and, in the volatile Spain of 1944, a young widow and a little girl need protection. Ofelia’s mother has made a dangerous gamble and chosen to marry again, to the brutal Capitán Vidal. She is already heavy with his child and now, like a monster in a fable, he’s waiting for them in the old house he uses as his base, deep in the middle of a forest. Ofelia can’t resist drawing comparisons with fairy tales. She loves them. They help her make sense of the world around her, and now, as Spanish men kill other Spanish men, and evil digs its tendrils into her life, Ofelia will need her imagination more than ever. Darkness awaits her at Capitán Vidal’s farmhouse, but something else awaits her too. An extraordinary discovery: a labyrinth, a faun, and a promise – and a quest, which Ofelia must undertake to prove her worth. Based on the 2006 film, this is a deliciously dark homage to the magic of books and fairy tales, emphatically not for children (except grown-up ones). 

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