Anonymous (2011)



(directed by Roland Emmerich, 2011)

One of my friends keeps saying that I should read Jasper Fforde‘s books, which are set in a world where people riot over the question of who wrote Shakespeare’s plays (he clearly thinks I’d have sympathy with such a cause). As such, how could I resist Roland Emmerich’s new film Anonymous? In retrospect, I really wish I had resisted it. But that is part of the purpose of this blog. I am here to suffer really, really silly film-making so that you don’t have to. Think of it as a noble sacrifice.

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Troy: Fact and Fiction


Imagine you’re at a party.  You’re in the middle of a crowded room with conversation going on all around you, but suddenly in the midst of the hubbub you hear a word which immediately makes your ears prick up.  What words or phrases would catch your ear like that?  I have a few, but one of them is ‘Troy’.  If I overheard someone talking about Troy, I’d be compelled to shuffle closer and eavesdrop quite shamelessly until they either changed the subject or let me into their conversation.  There’s a magic to the name, a grandeur, not unlike that conjured up by the word ‘Byzantium’.  Unfortunately, if you hear the word ‘Troy’ nowadays it’s most likely that people would be talking about the film.

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