★★★
(Noël Coward Theatre, London, until 1 June 2013)
One of four plays in the Michael Grandage Season at the Noël Coward Theatre, Peter and Alice was already virtually sold out in January when I booked my ticket. Last Tuesday night, I found myself in my customary spot up in the back of the balcony, opera glasses at the ready. I hadn’t read any reviews of the play (I try not to, until after I’ve made up my own mind about things) and I’d been really looking forward to it.
★★★★½
(directed by Sam Mendes, 2012)
Sam Mendes isn’t the kind of director you’d expect to see at the helm of a Bond film, but the gamble paid off: for me, this is the most intelligent and thoughtful instalment in the entire franchise. The essence of Bond is still here – the writers Neal Purvis and Robert Wade have been involved with the series since the Brosnan era – but it follows Casino Royale and Quantum of Solace in distilling that essence into a sleeker and more modern format. That tension between the old and the new, the traditional and the innovative, underpins the entire film.
The Idle Woman 