The Cardinal’s Man (2017): M.G. Sinclair


This, like Girl with a Pearl Earring, is a novel born from a painting, from a striking face that seems to look out at us across centuries and to spark a shock of fellow-feeling. While Tracey Chevalier’s famous book took its inspiration from the coy glance of a Dutch teenager, Sinclair’s story is inspired by a much more direct confrontation: Diego Velazquez’s Portrait of Don Sebastián Morra, in the Prado, dating from 1645. Using this powerful image as a starting point, Sinclair reimagines Morra’s life in a fictional biography that carries us from the bleak shores of Normandy to the glitter of Paris in the time of Louis XIII and Cardinal Richelieu. Spain, oddly enough, features less than you might expect. It is an ambitious book, and its championship of this fascinating but obscure figure is to be celebrated; but ultimately the novel is a fantasy, which makes no reference to the few known facts of Morra’s life. Moreover, it never quite manages to overcome some stylistic and compositional shortcomings.

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