Only Lovers Left Alive (2013)

Only Lovers Left Alive


(directed by Jim Jarmusch, 2013)

I was annoyed to miss this at the London Film Festival last autumn, but fortunately it’s been given a limited cinema release and so off we trotted to the Odeon in Covent Garden. I hadn’t read any reviews, but decided it was worth seeing if only for the cast. I’d suspected it would be arty and beautiful and perhaps slightly pretentious, but I hadn’t expected it to be so self-aware; nor was I expecting it to be so funny. With an adolescence full of Anne Rice novels under my belt, I found myself faced with a film that was both a love-letter to, and a subtle parody of the kind of world-weary vampirism that touched my teenage heart.

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Jane Eyre (2011)

Jane Eyre


(directed by Cary Fukunaga, 2011)

This is a retrospective review, as I saw Jane Eyre a fortnight ago now. Having read glowing reports of the film, I was really looking forward to it, even though the story has had more than its fair share of adaptations (along with Emma and Pride and Prejudice). One might ask: do we need another version? However, Cary Fukunaga has done a great job and gives a much-loved classic the sensual film treatment it deserves.

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