(Tate Modern, 14 April – 11 September 2011)
I left it late to come to this exhibition, the first major retrospective of Miró’s work in the UK for 50 years, but I’m glad I caught it. I don’t often venture to Tate Modern, but this is an unconscious prejudice that I’ll have to change in the future. What struck me most about the exhibition was how completely ill-equipped I was to understand what Miró was trying to achieve in his work.
The Idle Woman 