Vivaldi: Nathalie Stutzmann and Orfeo 55

Nathalie Stutzmann

(Wigmore Hall, 2 July 2016)

On Saturday night it was time for the second contralto recital of the week, this time the multi-talented Nathalie Stutzmann and her orchestra Orfeo 55. You may remember that I saw Stutzmann for the first time at last year’s Halle Handel Festival, where she conducted (and guest-starred) in Philippe Jaroussky’s concert. Tonight she had the stage to herself, both conducting – a variety of beautifully-balanced orchestral pieces – and singing – a selection of arias ranging from the playful to the anguished. And all were by the doyen of Venetian style: the glorious Red Priest himself.

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Philippe Jaroussky: Festival Concert

Philippe Jaroussky

(Georg-Friedrich-Händel Halle, with Orfeo 55 and Nathalie Stutzmann, 4 June 2015)

In early June, all Baroque roads lead to Halle in Saxony-Anhalt, which holds an annual Handel festival in honour of its most famous son. As a Londoner by adoption, I confess to a slight sense of possessiveness over Handel, who moved away from Halle at the age of eighteen (as opposed to the 47 years he spent living and working in London), but I suppose we can share him. And it is true that Halle’s festival feels considerably sleeker and higher-profile than London’s equivalent earlier this year: there are posters and banners everywhere; every performance was packed with people; and the programme featured a positive galaxy of international Baroque talent.

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