(London Handel Orchestra at St John’s Smith Square, 19 March 2018)
This year’s London Handel Festival kicked off with this pastoral drama from 1718 which, described in the programme as ‘Handel’s most perfect work’, had a lot to live up to. It was commissioned by the Earl of Carnarvon, who was also the patron of Handel’s Chandos Anthems and his Esther, and its genesis as a pastoral masque is reflected in its brevity – a mere ninety minutes – and its plot stuffed with nymphs, shepherdess and happy rustics. I’m slightly allergic to pastoral operas, which I can’t take seriously, but I have to admit that the music in Acis and Galatea is beautiful – no matter how many times the English libretto made me wince. Charmingly staged in St John’s Smith Square, and performed by a strong young cast, this was a very Baroque evening out.