The Crown (1765): Christoph Willibald Gluck

★★★★ 

(Bampton Classical Opera at St John’s Smith Square, 18 May 2021)

Bravo, Bampton Classical Opera: it takes a certain panache to make your post-Covid comeback with an opera called (in Italian) La corona! Commissioned for the Viennese court in 1765, this this rare piece by Gluck is a sparkling treat for the ears; despite being only an hour long in this concert version, it’s packed with musical variety, ranging from limpid pastoral to the martial grandeur of the chase. Based on the myth of Atalanta and Meleager, The Crown uses the Calydonian boar hunt as the backdrop for a delightful celebration of adolescent ambition and female courage. Performed here by an excellent cast, backed by the chamber orchestra CHROMA, it was the perfect way to ease back into Baroque after a year-long drought. I should say that this review is based on the excellent video broadcast of the production, as unfortunately I wasn’t quick enough off the mark to secure one of the limited seats – but the film is a treat in itself; it’s still available and comes highly recommended. I’ll link to it at the end of the post. So, gather up your arrows, steel your nerves, and come with me into the verdant forests of Calydon…

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Agrippina (1709): George Frideric Handel

Handel: Agrippina

★★★★

(Grange Festival, Hampshire, 8 June 2018)

Last weekend, on a balmy Hampshire afternoon, H and I donned our cocktail dresses and set off for the first of our two country-house operas this summer. It was time for the Grange Festival near Winchester (not to be confused with Grange Park Opera in West Horsley in Kent, who split from the Grange Festival two years ago in less than amicable circumstances). The Grange Festival have dusted themselves off, and are kicking off their second summer season in stunning style with Handel’s Agrippina. Full of maternal ambition, political intrigue and lustful shenanigans, this opera follows the Roman matriarch as she schemes to manoeuvre her son Nero onto the imperial throne. A dose of plotting makes me a very happy girl, but I was rendered even happier by the quality of the cast, headed by the redoubtable Anna Bonitatibus as Agrippina herself. Truly, an evening fit for an emperor.

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