(Royal Opera House, 22 May 2018)
As most of you will be aware, I approach ballet with caution; but the one score I know better than any other is Swan Lake, partly because I’ve watched the Matthew Bourne version on DVD more times than I care to remember, and partly because Tchaikovsky’s gorgeous music has provided the motivational soundtrack for many revision periods and work deadlines over the last fifteen years. So, when I was lucky enough to be invited to the sold-out new production at Covent Garden – the first new staging for thirty years, devised by Liam Scarlett – I leapt at the chance. And, by heaven, it was a joy. Sumptuous staging, fabulous costumes and breathtaking skill all came together to create three hours of utter magic – a ballet with heart as well as visual splendour. Thank you E!