See What I Have Done (2017): Sarah Schmidt

★★★

On 4 August 1892, a horrifying murder takes place in the little town of Fall River, Massachusetts. Andrew Borden and his second wife Abby are found hacked to death at home. Andrew’s eldest daughter Emma is away, staying with a friend; his younger daughter Lizzie, who finds his body, is unbalanced with shock. No one seems to have heard anything. As the blood seeps into the floors and fabrics of the Borden household, the questions begin; but there is more simmering beneath the surface of this strange family than anyone can hope to comprehend. In this unsettling, claustrophobic novel, Sarah Schmidt evokes the miasma of jealousy, resentment, loneliness and mental instability that result in the shocking events of that August afternoon.

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In the Shadow of the Ark (2001): Anne Provoost

★★★

When I saw this novel tucked away in a local charity shop, I pounced immediately. How could I resist a story about the Ark so soon after ferreting deep into the history of its legend? Originally published in Dutch in 2001 (the author is Flemish), it has been translated into English by John Nieuwenhuizen and takes us into a strange and foreign world of fishermen and nomads, boat-builders and prophets. And, at the heart of the tale, is the rumour of a great boat being built in the middle of a desert by a crazy old man, and the young woman who travels with her family to answer the call for workers.

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The Ark Before Noah (2013): Irving Finkel

★★★★

Decoding the Story of the Flood

Deep within the British Museum is the Arched Room, a soaring vaulted hall lined with shelves of cubbyholes. This is where the cuneiform tablets are kept and it feels rather like the Holy of Holies. I’ve only been once, but that single visit impressed me mightily: not just the architecture, but the hushed air of industry as scholars and students sat hunched over at the central line of desks, working away at deciphering these ancient fragments. Tablets might be business letters, court records or poetry. It’s an ongoing detective story and my brilliant Assyriologist colleagues never know what they’re going to turn up. In this book, the irrepressible Irving Finkel tells the story of the most exciting recent discovery, when a member of the public brought in a cuneiform tablet which offered fascinating new evidence about the story of the Ark and the Great Flood.

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The Black Lake (1948): Hella Haasse

★★★½

Originally published in Haasse’s native Dutch as Oeroeg in 1948, this novel has classic status in the Netherlands but seems to be comparatively unknown among English-speaking readers. Without knowing any of that, I bought it three years ago in a translation by Ina Rilke and have only just got round to reading it, discovering a short but poignant novel that explores the consequences of Dutch colonialism in what is now Indonesia. Haasse herself was born in Batavia (now Jakarta) and so her tale has a ring of authenticity about it, as it follows the friendship of two boys: one the son of a wealthy Dutch plantation owner in Java; the other, the son of the estate’s Indonesian manager.

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The Unbinding of Mary Reade (2018): Miriam McNamara

★★★

Well, hoist the mainsail, stock up on rum and run up the Jolly Roger: it’s time for a swashbuckling tale of piratical adventure! And, this time, the boys don’t have all the fun. Miriam McNamara introduces us to Mary Reade, who runs away to sea in 1717 disguised as a man, and who finds a new lease of life when the Dutch ship on which she serves is taken by pirates. Mary is impressed by the elegant pirate captain, ‘Calico’ Jack Rackham, but even more taken with the red-headed woman who fights in a red velvet gown at his side. This is Anne Bonny who, along with Mary, is one of the very few known female pirates. McNamara’s story plays a little fast and loose with the ‘facts’, though there are few enough of those, but she conjures up an engaging read with a very modern take on gender identity, which does justice to the spirit of Mary’s extraordinary story.

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Pistols for Two (1960): Georgette Heyer

★★★

When I was sent a review copy of the newly-issued Snowdrift, a collection of Regency short stories by Georgette Heyer, I realised that this volume was a reissue of Pistols for Two, which I already owned (albeit with three newly-added stories). I’ve therefore decided to deal with Snowdrift in two parts: first, by discussing the main batch of stories under their original title Pistols for Two and then, in a separate post, discussing the three new stories included in Snowdrift. Hopefully that won’t be too confusing and it’s also given me a chance to retrieve this rather simpering 1976 edition from my bookshelf. Of course, you know what to expect from these stories: it’s Heyer at her cosiest, by turns predictable and implausible, but always full of wit and humour.

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The Standing Chandelier (2017): Lionel Shriver

★★★★

This is the first book I’ve read by Lionel Shriver (except, of course, for We Need To Talk About Kevin) and so I came to it without many preconceptions. More novella than novel, it impressed me a great deal with its incisive and unsentimental view of human nature. We may not like the picture that Shriver reflects back at us, but her characters all feel so very convincing. It’s a story that many of us can easily imagine, even if we don’t have direct experience of it, because it starts with a friendship: an old friendship, of twenty years’ standing, between a woman, Jillian Frisk, and a man, Weston Babansky, and how their easy dynamic is challenged by the arrival of Weston’s girlfriend Paige.

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New Pompeii (2016): Daniel Godfrey

★★★

New Pompeii: Book I

Any book which begins with a murder attempt at the British Museum is bound to catch my attention. Nick Houghton, a specialist in Roman history who’s struggling to find tenure at a university, is unwillingly caught up in the chaos. With one of his friends deeply implicated in the plot, he expects to be arrested; but instead the unthinkable happens. He is offered a job by the CEO of NovusPart, one of the most powerful and controversial companies in existence. For NovusPart has developed a technology that can cheat history, plucking people out of the ‘timeline’ and transporting them forward in time, saving them from plane crashes, death or disaster. And they’ve decided that Nick is just the person to help them out with their most recent and most ambitious project: the wholesale relocation of the population of Pompeii (in 79 AD) to the present day.

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The Voyage of the Short Serpent (2004): Bernard du Boucheron

★★½

Literary prizes are strange things. This novel won the Grand Prix du roman de l’Académie française in 2004, which led me to expect something rather brilliant, but it fell gloomily short of expectations. Austere, cold and brutal, it tells the story of the medieval Catholic priest Insulomontanus, who is dispatched to New Thule (Greenland) to minister to the faithful. The New York Times regarded the book (translated by Hester Velmans) as a tour-de-force of black humour, but I found it an increasing slog of horrific cruelty and almost unbearable suffering. Framed as Insulomontanus’s grovelling report back to his master, it plays deftly with notions of the unreliable narrator – but that in itself isn’t enough to transform this monotonously miserable story into an engaging read.

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Tales of Strange Encounters from Tor.com

Tor.com

Time for another collection of short-stories from the reliably thought-provoking archives of Tor.com. This time I’ve selected a group of tales which focus on strange encounters, in which curious creatures add meaning to characters’ mundane lives, or people unearth odd threads in their own family histories. The stories also have a refreshing cultural and historical sweep, stretching from the modern-day anonymity of a big American city, to the parched grasslands of a post-apocalyptic future; to the exotic charm of medieval China and India at the turn of the 20th century.

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