She Rises (2013): Kate Worsley

★★★½

This was recommended to me on Goodreads or Amazon some time ago, and its elegant cover lodged itself in my mind. It has turned out to be an intriguing historical adventure through desire and identity, a clever interweaving of two tales of losing and finding oneself, all spiced with the salt of the sea air. It’s the author’s first novel, but is already deft and assured, and the narration has an authentic early 18th-century period rhythm.

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Room (2010): Emma Donoghue

★★★★

I’ve avoided reading Room for a long time. Although I enjoyed Emma Donoghue’s Frog Music and Slammerkin, there was something about the subject matter of Room that made, and still makes, me very uneasy. Some people like to explore uncomfortable themes in fiction, but I’m not one of them. On the other hand I don’t want to create some fluffy, pastel-coloured world for myself in which nothing bad ever happens. With the release of the critically acclaimed film last year (which I also haven’t seen), it became more and more imperative that I should read Room. And, in the end, it was both more endearing and more heartbreaking than I expected. It’s a difficult book to review, so bear with me.

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The Just City (2015): Jo Walton

★★★★

Thessaly: Book I

In his book The Republic, Plato dreamed of a just society in which the pursuit of knowledge and excellence would be the highest goal. It was a daring dream, the first utopia: an elaborate thought-experiment which has captivated the imagination of thinkers through the ages. But could it actually work? Athena is determined to find out. Gathering together those who, throughout history, have read Republic and prayed to her that it might be possible to live in such a place, she prepares the groundwork for the realisation of the greatest political fantasy ever imagined.

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The Valley of Horses (1982): Jean M. Auel

★★★

Earth’s Children: Book II

It’s time for the second instalment of Ayla’s adventures: a book that significantly broadens out the world which was introduced to us in The Clan of the Cave Bear. Here we finally glimpse cultures beyond those of the Clan, but we also spend much more time with Ayla, watching as circumstances force her to make leaps of intuition ever more daring and more successful. I can’t say this novel was quite as smooth going as the first, but towards the end something clicked and I now find myself eager to head on to the third. But I’m getting ahead of myself. Spoilers will follow, so proceed with caution.

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Blood Feud (1976): Rosemary Sutcliff

★★★★

After starting my Sutcliff journey with Sword at Sunset, I always intended to read The Eagle of the Ninth next, but things didn’t quite happen as planned. I have a lot of great big thick books lying around at the moment and, while hunting for something short as a kind of palate-cleanser between epics, I unearthed this little novel. It was allegedly written for children but, in the tradition of the best children’s literature, it’s equally rewarding to read as a grown-up. In fewer than two hundred pages, Sutcliff spins a stirring tale of honour, bravery and adventure, the Viking sea road and the golden domes of Byzantium. How could I resist?

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The Grace of Kings (2015): Ken Liu

★★★★

The Dandelion Dynasty: Book I

Choosing books by their covers has sometimes come back to bite me, but not in this case. I’ve wanted to read this novel ever since I saw the simple and very elegant cover design, and the wait was worth it. Although the book has inevitably been dubbed the ‘Wuxia Game of Thrones‘, that doesn’t do just to its dense and labyrinthine originality. Political ambition is interwoven with martial glory, technological experiment and cunning, as two very different but equally brilliant men vie to define the future of a crumbling empire, and the gods themselves are tempted to break their own laws and interfere in the affairs of men. Indeed, so much happens in this book that attempting a summary is doomed to failure, but I’ll give it a go.

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The King’s Pleasure (1969): Norah Lofts

★★★★

I thought twice about buying this, mainly because of the title, which implied an historical romance full of heaving bosoms and ripped bodices. Plus, did I really need another take on the overly familiar tale of Henry VIII, Katharine of Aragon and Anne Boleyn? But I’ve heard a lot about Norah Lofts over the years and so did buy it, and to my relief it was a very pleasant surprise. Thoughtful and intelligent, it was grounded in the period mindset in such a way that I never felt myself sinking into a quagmire of historical exposition.

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Shadowplay (2014): Laura Lam

★★★

Micah Grey: Book II

Some months after reading the captivating Pantomime, I discovered that the second volume in Lam’s Micah Grey trilogy was actually available for Kindle after all. Longing for something light and gripping, and unable to exercise restraint, I devoured the entire thing on Sunday in my haste to find out more about Micah, his history and his strange, beguiling world. Please bear in mind that of course this post will include spoilers for the first book in the series, so proceed with care if you haven’t read it.

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Broken Faith (2015): Toby Clements

★★★½

Kingmaker: Book II

It’s been over two years since I read Winter Pilgrims, the first book in Toby Clements’s Kingmaker series. I always meant to continue with the story, but what with one thing and another I only got round to borrowing the second book from the library the other day. After such a long gap it took a while to catch up with the plot and characters but, once I’d found my bearings, I discovered that Clements’s sequel has the same brutal honesty as his first. Eschewing grand speeches and noble solars, this novel plunges the reader deep into the experiences of ordinary men among the grit and misery of the Wars of the Roses.

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The Chimes (2015): Anna Smaill

★★★★

When I asked to review this book, it was a shot in the dark. I knew nothing about it, nor the author, nor that it had been longlisted for last year’s Man Booker Prize. I was simply interested by the blurb’s description of its world: a future England, post-apocalyptic and dystopian, with the crowded hubbub of London at its heart. It turned out to be a gem: one of the most original concepts I’ve encountered for a very long time, and a story told with a profound sensitivity to the musical quality of words.

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