Apollo and Hyacinthus: Wolfgang Amadeus Mozart (1767)

Mozart: Apollo et Hyacinthus

(Classical Opera at St John’s Smith Square, 12 June 2017)

When I was eleven, I was obsessed with ponies and still spent an unconscionable amount of time playing with dolls. When Mozart was eleven, he wrote his first opera. Such is life. In this concert, Classical Opera presented three pieces written by the precocious composer between 1766 and 1767, which predictably sounded as rich and sophisticated as many a work by any other mature composer. Staged simply and effectively, with some impressive performances from the crack team of singers, these pieces were the ‘Lambach’ Symphony in G major (K45a), the sombre Grabmusik (K42) and the little opera Apollo et Hyacinthus. As there were three different pieces, I’ve treated this as a recital, which is why I haven’t given it the usual star rating.

Continue reading

Hipermestra: Francesco Cavalli (1658)

Cavalli: Hipermestra

★★★★½

(Glyndebourne, conducted by William Christie, 17 May 2017)

King Danao of Argos is troubled. His brother’s Egyptian troops have gathered on his border, forcing him to suggest a diplomatic match to avoid conflict. His fifty daughters will marry his brother’s fifty sons in a mass ceremony, cementing a peace treaty between the two nations. But Danao has given his daughters secret instructions. The Oracle at Delphi has warned him that one of his nephews will rob him of his life and kingdom. And so each of the fifty girls has been ordered to murder her husband on their wedding night. Each of them obeys. Except one: Hipermestra, who loves her new husband, her cousin Linceo, and urges him to escape. Her compassion will be rewarded by a tide of blood. In this thrilling premiere of an all-but-forgotten opera by Francesco Cavalli, Glyndebourne have updated an ancient story to a setting in the modern Middle East, giving it a punch that lingers long after the final curtain comes down.

Continue reading