No Bed for Bacon (1941): Caryl Brahms & S.J. Simon


The epigraph page of No Bed for Bacon bears a Warning to Scholars: ‘This book is fundamentally unsound’. It may be so, but it’s both fun and, surely, hugely influential. Written in the course of several frenzied months in 1940, this historical farce imagines the London of Queen Elizabeth I at just the time that so many parts of the city were being destroyed in the Blitz. The two authors, both of whom were serving as air raid wardens, often had only an hour or so together each day to exchange ideas, and were reduced to leaving cryptic notes for one another in their wardens’ log-book. Though they squabbled passionately, and at one point considered taking out a legal injunction to prevent them ever having to work together again, they managed to produce a work of high British silliness. At its heart is Francis Bacon, an ambitious courtier who wants nothing more than to be awarded one of Gloriana’s beds from her progresses, so that he can pass it down to his heirs as an investment. Across town, the rival impresarios Philip Henslowe and Richard Burbage strive for theatrical domination, while the author Will Shakespeare is struggling to find a suitable opening for his new play Love’s Labours Won. A young aristocrat, Viola Compton, dreams of becoming an actor. And, at court, Sir Walter Raleigh plans for the greatest day of his life: the ceremonial tasting of the first potato from the New World. If only he can find a new cloak elegant enough to wear…

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