(Sam Wanamaker Playhouse, Shakespeare’s Globe, until 16 February 2014)
I studied this at school and it has stuck in my mind ever since: indeed, it’s the kind of thing that’s hard to forget. The Duchess of Malfi was the historical Giovanna d’Aragona, traditionally – though no longer – thought to be the sitter in the gorgeous portrait by Giulio Romano in the Louvre. Widowed young, she falls in love with her overseer, the urbane but lowborn Antonio and marries him secretly. As the years pass, she has three children with him and savours the bliss of her married life, but their match remains a secret.