Don Giovanni (1787): Wolfgang Amadeus Mozart

Mozart: Don Giovanni

★★★

(Royal Opera House, directed by Kasper Holten, 1 July 2015)

Maybe it wasn’t the best idea to book tickets for the opera on the hottest day since 2006, but nevertheless here I was, wilting gently in my standing place at the back of the stalls in the Royal Opera House, and preparing myself for my first encounter with Don Giovanni. As I’ve come at opera by a rather niche route, I’ve managed to avoid virtually all the great blockbusters and so knew nothing about Don G beyond the plot. I hadn’t even heard any of the music before. And I have to be brutally honest and say that I didn’t immediately warm to it as an opera.

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La Clemenza di Tito (1791): Wolfgang Amadeus Mozart

Mozart: Clemenza di Tito

★★★★

(Salzburg Festival 2003; Wiener Philharmoniker conducted by Nikolaus Harnoncourt)

For my first opera DVD of the new year, I decided it was time to make the acquaintance of Mozart’s Clemenza. This is one of the most popular and frequently filmed operas out there and it can be hard to know where to start; but fortunately there was help on hand in the form of Dehggial, who writes the knowledgeable and deliciously irreverent blog Opera, innit. Dehggial has a particular fondness for Clemenza and recommended this production from the 2003 Salzburg Festival. It’s a rather austere, dark take on the opera with some splendid singing and powerful acting. It was only after buying it that I realised it had been designed by none other than Martin Kušej, which meant there were some interesting links with motifs from the Royal Opera House’s recent Idomeneo.

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