The Garrick Year (1964): Margaret Drabble

★★★½

Before I focus on the novel, I have to flag the wonderful shop in which I bought it: the Eagle Bookshop in Bedford, one of the largest and most welcoming second-hand bookshops I’ve visited in quite some time. Having recently moved to bigger premises, it’s thriving, with creative writing sessions, poetry readings and other literary events. If you live in or near Bedford, or find yourself in town with half an hour spare, I thoroughly recommend it. I came away with a modest stash, which allowed me to tread the fine line between supporting physical bookshops (on one hand) and (on the other) respecting the fact I have no book space left in my flat. It required great self-control. The first to catch my eye was this slim volume: Margaret Drabble’s second novel, written in 1964 when she was only twenty-five. Following a group of London actors as they decamp to Hereford for an arts festival, it’s a sharp and merciless tale of boredom, pretension and infidelity, notable for its acerbic and entitled narrator.

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Thirteen Guests (1936): J. Jefferson Farjeon

★★★

John Foss, a young man in a state of distraction, gets his foot caught while leaving the train at the country station of Flensham. Badly injured, he providentially finds himself sharing a platform with the beautiful Mrs Leveridge, who is on her way to a house party at the nearby Bragley Court. She takes John along with her, so that he can receive the attention of a doctor and rest in comfort, correctly judging that their host Lord Aveling won’t mind stretching his hospitality to another guest. But, as John is warmly greeted and installed on a couch, he realises that his presence means there will be thirteen guests at this weekend’s party. And, as the other guests trickle in, John finds himself watching to see who will be the thirteenth to pass through the doorway. He swiftly sees that all is not well at Bragley. Secrets and dislike ripple beneath the polite surface and there are strange alliances and tensions between unexpected groups of guests. And he is right to be uneasy, for by the end of the weekend three people will be dead…

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Bats in the Belfry (1937): E.C.R. Lorac

★★★½

On a cold March evening, a group of friends amuse themselves with a morbid intellectual game. They compete to come up with the best way to dispose of an unwanted corpse. This all seems like a cheerfully shocking, daring kind of game in a chic drawing room near Regent’s Park, but within a few days it all starts to feel horribly prophetic. First, one of the party goes missing. Then a gruesome discovery raises the likelihood of murder, and the remaining members of the group find themselves under the unwelcome scrutiny of Inspector MacDonald of Scotland Yard. Under the bright beam of his eye, fissures and rivalries emerge, and he swiftly realises that there’s more to this particular case than meets the eye. A classic old-school murder mystery, first published in 1937, this is jolly engaging stuff with a powerful sense of place. London, from Regent’s Park to Notting Hill and the Strand, is just as central a character as any of our suspects. But now to the key question. Is Bruce Attleton really dead? And, if so, who killed him? And why?

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The Silent Companions (2017): Laura Purcell

★★★½

When a young widow travels to her dead husband’s family home, after only a few months of marriage, she believes that her greatest challenge will be in mastering her grief. But The Bridge is an unsettling place: a rambling old house, unloved and worn, with a meagre staff of taciturn servants and a history of unpleasant accidents. This is a Gothic tale of a slow, creeping kind, best savoured on a dark winter’s night beside the fire, in which supernatural events sit side by side with very real social tension.

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