The Bird King (2019): G. Willow Wilson


By 1492, the great empire of Al-Andalus has shrunk to a thin strip of land along the bottom of the Iberian peninsula, harried by the forces of the Christian kings Ferdinand and Isabella. Yet, within the harem of the palace in Granada, life keeps its languid pace. While siege closes in on the city outside, the women continue their petty rivalries, their music and their poetry, under the sharp eye of the Lady Aisha, the Sultan’s mother. The concubine Fatima – sharp, irreverent, and beautiful – diverts herself with secret visits to her childhood friend Hassan, the Sultan’s mapmaker, who is gifted with an extraordinary ability to invent doors where there were none before. As their world crumbles, these two dreamers realise that the only life they’ve known is on the verge of becoming a nightmare; and that sometimes safety lies beyond the reach of any map.

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Through Darkest Europe (2018): Harry Turtledove


The civilised world has been rocked by a sudden surge of terrorism. Extremism has proliferated even in the countries in the shores of the Mediterranean, which are meant to be that bit more sophisticated than their hinterlands. Suicide bombers spread terror in the streets of previously buzzing cities. Ashen-faced religious leaders condemn horrific acts committed in the name of their faith. Sound familiar? But this isn’t the world as we know it. Harry Turtledove takes us into an alternate reality in which Islam, not Christianity, became the dominant religion of the world in the medieval period. Now, progressive, modern and comfortable Muslim nations look warily at their Christian neighbours, and two brilliant investigators are dispatched to the dangerous streets of Italy in an effort to nip the terrorist threat of the Aquinists in the bud.

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