Xerxes: George Frideric Handel (1738)

Anna Stéphany

★★★★ ½

(Early Opera Company at St John’s Smith Square, 18 November 2016)

With only one production so far this year, I’ve had Xerxes withdrawal symptoms, but fortunately the Early Opera Company and Christian Curnyn were there to save the day with a concert performance at St John’s Smith Square last Friday. This was billed as a concert version of their truly excellent studio recording from 2013, but in fact the entire cast is different, with one crucial exception: Anna Stéphany as the brat-prince himself. The change of cast didn’t matter, however, as EOC drafted in some of the brightest young things around, and the result was classy, perfectly-paced and probably (on balance) the best-sounding Xerxes I’ve yet heard live. Coming from me, that’s high praise.

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Orpheus: Luigi Rossi (1647)

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★★★★

(Sam Wanamaker Playhouse, in collaboration with the Royal Opera, 8 November 2015)

Hot on the heels of Ormindo comes another partnership between the Globe and Covent Garden, which offers another treat of early Baroque opera in the unique ambiance of the Sam Wanamaker Playhouse. This time it’s Orpheus, directed from the gallery by Christian Curnyn with a select force of musicians from Early Opera.

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