The Singing Sword (1993): Jack Whyte

★★★

A Dream of Eagles / The Camulod Chronicles: Book 2

When we last encountered Publius Varrus and his friend Caius Britannicus, the two men had founded a colony in south-west Britain, hoping to preserve Roman values and public order even after the Empire inevitably withdraws from the island. This second book in the series shows us the teething struggles of the infant colony, as Saxon raids multiply along the coast and, far across the sea, the Roman empire begins to tear itself apart. While I was glad to be reunited with our two doughty protagonists, of whom I grew rather fond in the first book, I felt that this sequel failed to live up to its eventful predecessor. Pacing becomes a serious issue here, and some factors which only niggled faintly in the first volume became problematic in The Singing Sword. And yet there’s still the pleasure of watching various Arthurian motifs (or characters) coming into being. In short, a curate’s egg – and hopefully only a temporary misstep.

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The Skystone (1992): Jack Whyte

★★★★

A Dream of Eagles / The Camulod Chronicles: Book I

Two men meet in the African desert. One is Caius Britannicus, a brilliant Roman general who has been taken captive by one of the desert tribes. The other, his rescuer, is Publius Varrus, a centurion finally heading home to a new posting in his native country. Both men are Britons; both, by a quirk of Fate, are destined to head over the seas together to take up new positions in the same legion. And that same Fate has greater things in store, because Jack Whyte’s gripping historical novel isn’t just a story of Roman Britain, giving us a rare fictional glimpse of that cataclysmic moment in the late 4th century when the legions deserted the islands for good. It’s also the first in an epic series of novels that (I presume) will follow the families of Caius Britannicus and Publius Varrus down the ages, at least as far as their mutual great-grandson, who will become the King Arthur of legend. So far, the tale has been utterly absorbing, rationalising the legends into a completely plausible tale of honour, nobility and brotherhood in the dying days of the Roman Empire, when one man’s dream becomes the foundation of a new age.

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The Table of Less Valued Knights (2014): Marie Phillips

★★★

In the darkest, least distinguished corner of the Great Hall at Camelot is a table they never speak of in the songs: the Table of Less Valued Knights. Here the retired and the also-rans live in the shadow of their glamorous peers on the famous Round Table. Sir Humphrey du Val is one of these past-it paladins, banished from the first division for an unchivalrous act and resigned to spending the rest of his life in the company of toothless has-beens. But then, one Pentecost, Fate throws Sir Humphrey an unexpected chance to distinguish himself once again. Before he knows it, he’s out on the road, riding to avenge a damsel in distress; but little does the poor knight realise that his trials are only just beginning. Cheerfully silly, like Monty Python and the Holy Grail crossed with A Knight’s Tale, this is an all-out medieval romp.

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The Light Beyond the Forest (1979): Rosemary Sutcliff

★★★½

The King Arthur Trilogy: Book II

I haven’t yet read The Sword and the Circle, the first part of Rosemary Sutcliff’s retelling of the legends of King Arthur, but the trilogy really doesn’t need to be read in sequence. The Light Beyond the Forest is a children’s novel, yet it’s one written with grace and poetic sensitivity (as is everything by Sutcliff), telling the story of the Grail Quest. Thereby it tackles some fairly weighty issues: trust, honour, truth, loyalty, temptation, sacrifice and evil. If I’d read it as a child, I think I’d have been deeply impressed by its grandeur; reading it now, I’m struck by its lyrical simplicity and by the way it boils down a complex mix of Christian and pagan legends into a highly readable story.

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Sword at Sunset (1963): Rosemary Sutcliff

★★★★½

More than half a century after the last legions marched out of Britain, a man lies dying in a monastery, with apple trees stirring in the wind beyond his window. His name is Artos, and he has been many things: bastard-born nephew and adopted son of the old High King, Ambrosius; the Count of Britain; the leader of the Companions, a band of heavy cavalrymen sworn to his banner, who have devoted their lives to defending what remains of civilisation against the growing dark of the Saxon invasions.

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Lancelot du Lac (1974)

Lancelot du Lac

★★

(directed by Robert Bresson, 1974)

LoveFilm strikes again with this 1974 film, which has been on my Amazon wishlist for almost ten years, ever since I first heard about it at university. As a slice of Arthurian legend, I thought it sounded rather wonderful and yet, for one reason or another, I haven’t got round to watching it until now. With the weight of ten years’ expectations behind it, I regret to say the film disappointed me even more than it might otherwise have done.

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