(Aix-en-Provence, 2013, with Leonardo García Alarcón and Cappella Mediterranea)
How do I begin to describe Elena? It definitely isn’t your average opera. Imagine a Baroque cross-dressing operatic romantic comedy, with importunate lovers (plenty), pirates (sort of) and bears (briefly). How can you refuse something so gloriously over-the-top? Performed with gusto by a brilliant young cast, many of whom have since made names for themselves all over Europe, this charming, rambunctious, occasionally downright daft production from the Aix Festival is in a genre all by itself.