(Antic Disposition at Gray’s Inn Hall, 21 August 2018)
There will be a number of theatrical posts over the next few days, for two reasons: first, I have seen an awful lot of plays recently and, secondly, I still have to catch up with some plays I saw earlier in the summer. Fortunately, they’re all terribly good. This is one post, however, that’s pretty quick off the mark: it was only this week that I went to Gray’s Inn Hall to see the ever-brilliant Antic Disposition and their current production of Much Ado About Nothing. The company always performs their plays in France over the summer before coming to London and that’s had two important influences on their reading of Shakespeare’s delicious romantic comedy. They’ve adopted a mixed French and English cast for Much Ado, with some familiar faces from the blended cast of their magnificent Henry V; and Messina moves from Sicily to become a small French village, just after the end of the Second World War. The stage is set for love, longing and a merry entente cordiale, as romance blossoms over a lazy postwar summer.