Bone China (2019): Laura Purcell

★★★

It is a freezing winter night, early in the 19th century. Hester Why arrives in Cornwall on the mail coach, a hunted woman travelling under an assumed name and tormented by memories of her recent life as a lady’s maid in London. She has seized upon a new position as a maid and nurse to the reclusive Miss Pinecroft at Morvoren House, which stands on a wild and lonely outcrop above the cave-riddled cliffs. Here she hopes to find peace, recover her equilibrium and restore her faith in herself, but she soon realises that Morvoren is haunted by its own ghosts and secrets. Half paralysed by strokes, Miss Pinecroft barely speaks and can only rarely be persuaded to leave the chill of her favoured room, the china cabinet. Her ward, the unfortunate Rosewyn, is still babied and dressed as a child despite being a fully-grown woman. And the household is dominated by the sinister Creeda, who sees the Little People – fairies – and their dangers everywhere. A story of reason and delusion, faith and science, this is a fantastically atmospheric novel, but one that also leaves some frustrating questions hanging in the balance.

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The Feast (1950): Margaret Kennedy

★★★★

It’s the summer of 1947 and a small community has been shaken to its core (literally). Pendizack Manor Hotel has just been obliterated in a landslide, buried beneath the cliffs that once loomed over it. Reverend Bott, who has the unenviable task of writing a funeral sermon for the unrecovered victims, thinks back over what he has heard from the survivors. Through their stories, we revisit the week leading up to the disaster, day by day, watching as the various characters arrive and get to know one another. To some extent, this is the same kind of awkward cheek-by-jowl holiday community of strangers that we see in works such as The Fortnight in September (though that puts a much more positive spin on the experience). Romances blossom; old grudges linger; and plots are hatched, both malicious and benign. But this isn’t just the story of a Cornish summer holiday gone horribly wrong. Kennedy is, in fact, doing something much cleverer and more sophisticated – offering us the chance to solve a very unusual kind of mystery.

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False Lights (2017): K.J. Whittaker (republished as Hester and Crow: Katy Moran)

★★★★

I always love getting recommendations. Honestly, it brightens up my day every time. When RT enthused to me about this book, I realised it was already in my TBR pile and promptly moved it to the top of the list. And I’ve devoured it at high speed. It opens in 1817, two years since Napoleon scraped a narrow victory at Waterloo and placed his brother Jérôme on the English throne. Now English curfews are enforced by French troops and English patriots executed by French guillotines, and discontent is rising. We follow three characters into the heart of this powder-keg: Kitto Helford, an aristocratic fourteen-year-old with patriotic ambitions; his older brother Crow, the laconic Earl of Lamorna, whose withering arrogance hides a soul traumatised by war; and Hester Harewood, the resourceful daughter of a dashing (black) naval officer.

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The Serpentine Cave (1997): Jill Paton Walsh

★★★½

There’s always a frisson of excitement when you come across a ‘new’ book by an author you like. Jill Paton Walsh’s Knowledge of Angels is one of my all-time favourite novels, as many of you will probably know, and so I was excited to come across The Serpentine Cave, which I’d never heard of before. It’s very different in spirit – a tale of quiet, private truths rather than the epic resonances of Knowledge of Angels – but it’s a moving tale of a woman trying to piece together her identity from the fragments left behind on her mother’s death. Marian has always defined herself in opposition to her mother Stella. While artistic Stella moves through life like a whirlwind, bringing chaos and uncertainty, ignoring bills and flying in the face of convention, Marian lives modestly, to balance out by her own placidity her mother’s turbulent progress. When Stella has a stroke, Marian leaves her home and her job in Hull and comes down to the rambling house near Cambridge where her mother lives. Presently her two grown-up children, Toby and Alice, join her from London. They come to nurse, but a different kind of duty soon falls on their shoulders: that of sorting out, paying off, tidying up the detritus of a life suddenly snuffed out. For Marian, this is also a time of coming to terms with her past.

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The Lie (2014): Helen Dunmore

★★★★

I haven’t read any books by Helen Dunmore before because, somehow, I’d got it into my head that she only wrote time-slip romantic fiction. Goodness knows why I thought that, but I suppose I’d heard vaguely about The Greatcoat and extrapolated widely to come up with a completely mistaken idea. The Lie has put me right. A poignant, gut-wrenching tale of love, loss, and survivor’s guilt, it tells the story of the young Cornishman Daniel Branwell as he returns home after the horrors of the First World War.

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