(Europa Galante, directed by Fabio Biondi, at the Barbican, 20 February 2015)
In late 1737 the composer Antonio Vivaldi found himself in dire straits. He’d been planning to put on a series of operas in Ferrara for the Carnival, but all his plans had gone wrong when the religious authorities refused him permission to enter the city. (They took exception to the fact he was a priest who never performed Mass and was known to travel in the company of a female singer.) Faced with the prospect of losing an entire season’s income, Vivaldi pulled some strings and managed to get hold of the Teatro S Angelo in Venice. With less than a month to prepare, he needed to get together a programme.