Stradella (1909): Francis Marion Crawford

★★★

There are many good reasons to choose a book, but doing so because the author shares his name with one of my favourite fictional characters is probably not one of them. Nevertheless, in this case it had a happy outcome. I stumbled across Stradella (1909) about a week ago, while looking for historical novels set in Venice to complement my visit to the Carnevale. I knew nothing about Francis Marion Crawford (although he was evidently very distinguished in his day) and so wasn’t expecting much. What I discovered was a charming historical romance which proved to be perfect material for holiday reading: undemanding, easy to dip into, and full of Baroque swashbuckling, love and intrigue.

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Scaramouche (1921): Rafael Sabatini

 ★★★½

Sometimes, on opening a book for the first time, you find a phrase that makes you sigh contentedly, settle down and think, ‘Oh, yes.’ I had never read anything by Sabatini before and yet, when I read this novel’s opening line – ‘He was born with a gift of laughter, and a sense that the world was mad‘ – I knew instinctively that we’d get along well. With an avowed weakness for adventure, derring-do and the buckling of swashes, I’m amazed that I didn’t stumble across Scaramouche years ago. It was only when Helen mentioned it, in her post on The Prisoner of Zenda, that I realised it was something I’d enjoy.

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The Noble Art of the Sword: Fashion and Fencing in Renaissance Europe (2012)

Combined rapier and wheel-lock pistol

(Wallace Collection, London, until 16 September 2012)

Precisely focused both in historical period and subject, this exhibition gives a glimpse of the social culture of swordsmanship that existed in Europe between about 1550 and 1610. It traces the development of the rapier from the broader, shorter swords of the early Renaissance and late medieval period. This wasn’t just a stylistic development: it heralded a completely different approach to the handling of the sword.

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Cyrano (2008): Ishbel Addyman

★★★

Let me start with a disclaimer. I’ve had this book on my Amazon wishlist for two years and so, when I stumbled over it on the shelves of the addictive Book & Comic Exchange in Notting Hill, I snaffled it immediately. I’ve long been fascinated by the few details I know about the real Cyrano de Bergerac and, since I first saw it, the film version of Edmond Rostand’s play has been one of my all-time favourites.

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