The Goddess Chronicle (2008): Natsuo Kirino

★★★½

Back when the Canongate Myths series was introduced in 2005, I bought the first three in a boxed set and swore I’d read all of them as they were published. Needless to say, that didn’t happen. And so, when I realised that Natsuo Kirino (whose Grotesque I admired) had contributed a story to the series, it was a welcome chance to catch up. Retelling the Japanese myth of Izanami and Izanaki, this is an eerie tale of joy and sorrow, light and darkness, love and vengeance.

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Edwin: High King of Britain (2014): Edoardo Albert

★★★½

The Northumbrian Thrones: Book I

There’s a bit of a thrill in reading a story whose exact dates are lost in the mists of time. In this first novel of Albert’s series, we are in the early years of the 7th century, perhaps in 616 or thereabouts. The Romans are long gone, leaving their ruins and their roads behind them; the raiders from the east have yet to come over the grey whale-road. Britain is split into kingdoms, roughly following the lines of the old tribal lands from the days of Boudica. But times are changing. A man who has moved from host to host, keeping one step ahead of the king who wants to kill him, has a dream of a united country, its petty kings subject to one overarching High King. It’s a grand dream, for a man who doesn’t even have a single kingdom to his name yet, but Edwin is shrewd and brave and has loyal men. As he inches his way back to power, his own rise is mirrored by that of a new religion, brought over from the Franks: a religion which will change the face of Britain forever.

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The Girl in the Glass Tower (2016): Elizabeth Fremantle

★★★★

It is 1615 and the years have not been kind to Aemilia Lanyer. Once, she and her poetry were celebrated at Court but, since the accession of James I, with his dislike of educated women, Aemilia has been forced to live a meaner existence. Now, weighed down with the debts of her dead husband, she ekes out her days in Clerkenwell with her teenage son Hal. It is Hal who offers Aemilia some unexpected distraction from her financial woes. As a young musician at Court, he happens to see the rooms of the late Arbella Stuart being cleared. Remembering that his mother once knew this unfortunate princess, he brings home a bundle of old papers destined for the fire, little realising what a treasure he has found. For this is Arbella’s account of her own life: the tale of a woman who dared to dream beyond the confines in which circumstances kept her. Faced with the words of this almost-friend, a woman she never truly understood, and one whom she inadvertently betrayed, Aemilia longs to finally learn the truth about Arbella Stuart.

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All Our Wrong Todays (2017): Elan Mastai

★★★★

Elan Mastai’s debut novel is a sharp, mind-scrambling book which asks us to imagine how one person could change the course of history. On 11 July 1965 in San Francisco, the visionary scientist Lionel Gottreider switches on a generator that utilises the force of the earth’s rotation to produce a limitless supply of clean and cheap energy, and transforms the world forever. Fifty years later, in 2016, Tom Barren bumbles his way through the sleek utopia that has been made possible by Gottreider’s brilliance, never imagining that he will be responsible for destroying the world as he knows it.

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Britt-Marie Was Here (2014): Frederik Backman

★★★★

In the wake of My Grandmother sends her Regards and Apologises, I was keen to read more of Frederik Backman’s gently ironic stories. Luckily, my library also had Britt-Marie Was Here in stock. This takes place after My Grandmother and so, if you’ve read that, you’ll understand more of the backstory here. However, Britt-Marie also serves very easily as a standalone tale, a life-affirming story of an anxious, touchy middle-aged woman learning that she still has something to offer the world – and herself.

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The Last Bell (2017): Johannes Urzidil

★★★★

Johannes Urzidil was one of the most celebrated Czech writers of the 20th century. Although he spent his last twenty years as an emigre in the United States, he never made the switch to writing in English. His works continued to be published in Europe in German (one of his two mother tongues) and his works were infused with the sensibility of his homeland. Despite his importance in European literature, his works have only rarely been translated into English. Pushkin Press have rectified this omission with a collection of Urzidil’s short stories, none of which have formerly been published in English, and translated now by David Burnett. Lively, moving and gently absurd, these stories focus on outsiders, people whose encounters with ordinary life and emotions leave them thwarted and unmasked as precisely the strange creatures that they are.

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Carnivalesque (2017): Neil Jordan

★★★

Everyone knows that circuses are magical places, but they can be dangerous too, subversive, circumventing the rules of society, propriety and even reality. One day, young Andy loses himself in the hall of mirrors in a carnival sideshow. When he emerges some hours later, he both is and is not himself: that is to say, his body is unchanged, but the thing inside him is no longer Andy; or, at least, not the boy he was before. That old Andy, or his essence, is trapped within the speckled glass of the mirror-maze, snatched or changed, call it what you will, and ready to be drawn out into the inner life of this fantastical place. Part fable, part fantasy, part horror-story, this novel is rooted in a strong concept but preserves its enigma too fiercely, to the point that the reader never quite comes to engage emotionally with its character or narrative.

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Equal of the Sun (2012): Anita Amirrezvani

★★★

In 1576, when Tahmasb Shah of the Safavid dynasty dies unexpectedly, there is no designated heir to the Iranian throne. Sensing the chance to consolidate their power, factions within the ruling class weigh up the contenders. Pari Khan Khanoom has all the qualities of a brilliant Shah – intelligence, political acuity, generosity and compassion – but one major flaw negates all the rest: she is a woman. And yet she is determined to play a role in the struggle for the succession. As Tahmasb’s beloved daughter and most trusted adviser, she has helped to direct the empire’s policy for fourteen years and resolves to carve out a place for herself under the new Shah. But which of her brothers will succeed in claiming the crown? Based on the true story of Tahmasb’s ambitious, fratricidal sons, Amirrezvani’s novel turns the spotlight on their remarkable sister, as remembered by her loyal vizier, the eunuch Javaher.

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In the Name of the Family (2017): Sarah Dunant

★★★★

A Novel of Machiavelli and the Borgias

This is the long-awaited sequel to Sarah Dunant’s wonderful Blood and Beauty, which takes up the story of the Borgias once again in the final years of their dominance in Italy. At the beginning of 1502, it seems that nothing can stand in the way of the family’s influence, which creeps its way across Italy, subduing its rivals with a blend of charm and violence. Charm comes courtesy of Pope Alexander VI’s lovely daughter Lucrezia, who is making her way cross-country to be married to her third husband, Alfonso d’Este of Ferrara, and using her journey as a way to captivate the Papal States with her elegance, grace and sweetness. Violence, predictably, sits in the hands of her dangerous brother Cesare who prowls around the borders of their state, ears pricked for dissent or weakness. And, while this remarkable family strengthens their grip on Italy, a young diplomat in the Florentine Second Chancery follows their progress with quiet admiration.

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Monsieur d’Eon is a Woman (1995): Gary Kates

★★★★½

A Tale of Political Intrigue and Sexual Masquerade

When I reviewed The Chevalier back in June last year, I was interested in the life of the Chevalier d’Eon but didn’t know much beyond what I’d read on Wikipedia. Since then, life has played one of its serendipitous little jokes on me. I was recently asked to give a lecture on the Chevalier in my professional capacity, which means that I’ve spent the last month poring over books written both by and about him. My experience has emphasised exactly how inaccurate The Chevalier is (horribly!), but has also revealed the full complexity of this utterly fascinating life. And, if you want to get the facts, this book is the place to start.

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