The Purple Shroud (2012): Stella Duffy

★★★

This sequel to Stella Duffy’s Theodora picks up the story two years after the conclusion of the earlier book, when Justinian and his wife are established as Emperor and Empress. It covers the next twenty years of their reign and shows how, as the most powerful woman in the Western world, Theodora must shift her priorities. Nothing less than the safety of the Roman world is at stake, and there are dangers everywhere: in religious dissention; in the war with Persia; and in the presence of those who believe the purple would become them – whether that’s the ambitious John the Cappadocian, or the unfortunate Hypatius, whose claim is picked up by the mob.

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Misadventure in the Middle East (2007): Henry Hemming

★★★★

Travels as Tramp, Artist & Spy

It has taken me a very long time to get around to reading this book: years, rather than months. I first heard about it in rather odd circumstances in my early twenties, when a friend and I bumped into Hemming at a History gaudy at our old college and ended up retreating to the pub with him because it felt as if we were the only three people under fifty. We had no idea who or what he was, of course. As we chatted, it turned out that this very personable young man was an author and, furthermore, had had experiences which practically beggared belief. I promised him that I would read his book and, some years later, I’ve finally kept that promise.

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The Enchanted April (1922): Elizabeth von Arnim

★★★★

As London wallows in an almost Mediterranean heatwave, it seemed the perfect time to embark on this book, first published in 1922. It’s the first thing I’ve read by Elizabeth von Arnim, and it’s so established a modern classic that I really should have read it years ago. Despite its fame, I had no idea what to expect, but the novel captured me with its opening scenes in a wet, grey, almost monochrome London, and carried me off (genuinely enchanted) to its sun-kissed Italian shores.

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The Privilege of the Sword (2006): Ellen Kushner

★★★★

I have a list of what I call ‘comfort books’: novels which, in times of stress or sadness, I can curl up with and be reminded that the world is a wonderful place (Miss Pettigrew Lives for a Day is one; These Old Shades is another). The Privilege of the Sword, a sequel to Swordspoint, has just joined this very select company. A quote on the back cover of my edition calls it ‘A magical mixture of Dumas and Georgette Heyer‘, which is precisely the right way to describe this gloriously bubbly swashbuckling adventure. Stuffed with duels, romance and intrigue, it also has the kind of feisty, independent heroine I would have adored as a sixteen-year-old. And I adore her even more now: in the intervening twelve years I’ve read enough books to know what a rare kind of heroine she is.

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Cathedral of the Sea (2006): Ildefonso Falcones

Like Per Olov Enquist’s Visit of the Royal Physician, Ildefonso Falcones’s historical novel Cathedral of the Sea has won a veritable bouquet of prizes both in its native Spain, where it enjoyed immense success, and in other European countries. Like The Visit of the Royal Physician, however, it left me cold. In fact, I am willing to go further in this instance and to say that this is a very disappointing book. Had I not felt honour-bound to finish it, I would have put it aside after the first hundred pages. As it was, I forced myself through to the end. I’m going to try to keep this post brief because, while I’m more than happy to write long effusive reviews of books I like, I see no virtue in dwelling on negativity. Suffice it to say I won’t be recommending it to anyone.

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Good Omens (1990): Terry Pratchett and Neil Gaiman

★★★★½

The imminent Apocalypse has been a bit of a theme recently: first I, Lucifer and now this. It wasn’t my first time reading Good Omens, but it’s been long enough that I’d forgotten most of the jokes and ended up giggling uncontrollably on the bus; which is a bit of a faux pas on London public transport, where it’s customary simply to pretend that you’re somewhere else. In fact, if you combine this book with doses of Blackadder, Monty Python and Caitlin Moran, you basically have a primer to my sense of humour. And the humour here is very, very English, with jokes about Milton Keynes, Manchester and traffic wardens, although that hasn’t prevented the book from becoming a cult classic across the world.

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Theodora: Actress, Empress, Whore (2010): Stella Duffy

★★★

There isn’t enough historical fiction set in Byzantium (I’m open for recommendations!), and so I was very happy to find a copy of this book and its sequel, The Purple Shroud, in my local library. Although I read Antony Bridge’s biography of Theodora last year, I still don’t know as much about her as I’d like and I hoped that Duffy’s novel would throw some further light on the subject.

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I, Lucifer (2002): Glen Duncan

★★★

I’m not familiar with Glen Duncan’s other books, but this one has caught my eye several times over the years – the concept tickled my sense of humour – and it seemed to be the perfect book for a languid, hot summer afternoon when I didn’t have the energy to tackle anything too demanding. Mind you, it won’t be for everyone: if you’re easily offended, I would steer clear (even though, in fact, the book is necessarily grounded in a very traditional vision of Catholicism).

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The Wise Man’s Fear (2011): Patrick Rothfuss

½

The Kingkiller Chronicles: Book II

I have a confession. I began reading this in January on my Kindle and simply couldn’t get through it. When I felt it was time for a second bash at it, I borrowed a hard copy from the library, so that I could keep track of exactly where I was in the book. This time I sailed through much more easily. In general, The Wise Man’s Fear has the same strengths and appeal as The Name of the Wind, the first book in the series. If you enjoyed that then you should certainly carry on and read this, even though there are weaknesses in the narrative’s pace and structure in this instalment. I still can’t help but admire Rothfuss’s achievement in creating such a rich and lovingly-detailed world, with storytelling and music at its heart.

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A Little Lower Than The Angels (1987): Geraldine McCaughrean

★★★

First things first: this is a children’s book, and I was never under any illusions about that. The cover caught my eye about four years ago, with its glorious sweep of peacocks’ feathers, and I’ve found myself coming back to admire the design ever since (it is much more beautiful than the covers of other editions I’ve seen on LibraryThing). In the end I bought it because, after all, it is a historical novel, set in the medieval period. I’m completely out of practice in judging the correct reading age for a children’s book, but I would hazard a guess that this would probably be best suited for nine to twelve-year-olds. From an adult perspective it’s charming but painted in rather broad strokes.

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