An Accidental King (2013): Mark Patton

★★

In 79 AD, an old man looks back over his life and prepares to write his memoirs for his granddaughter. He is Tiberius Claudius Cogidubnus, born and bred in the British southlands of the Regenses. Trained as a priest, he was then crowned an unwilling king, first of his own tribe and then as Great King of all the Britons, with the weight of the emperor’s authority behind him. As he remembers his experiences across three decades – from a visit to Rome with the then-general Vespasian, to the horror and fire of Boudica’s revolt – Cogidubnus meditates on the tightrope he has had to walk throughout his life: defending his people, while remaining loyal to a vast and unpredictable foreign power.

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The Midwich Cuckoos (1957): John Wyndham

★★★½

This is one of the books, like The Stepford Wives or Rosemary’s Baby, that has become an icon of popular culture: even if you haven’t read it, or seen the related films, you know the basic premise. I spotted it in the library today and, because I have another of Wyndham’s books lined up waiting to be read (Triffids, no less), I thought this would make an interesting comparison. For some reason I’d always imagined that Midwich would be a horror story, but it’s something far more subtle and sophisticated: a creeping, chilling sci-fi thriller which places its characters in the ultimate moral dilemma.

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Boudica: Dreaming the Hound (2005): Manda Scott

★★★★

Boudica: Book III

And so to the third instalment of Manda Scott’s Boudica quartet, which I’m eking out so as not to finish it too soon. Dreaming the Hound takes us deeper into the story of Breaca, the flame-haired warrior whose leadership against the invading legions has earned her the title of the Boudica, ‘bringer of victory’. It also follows the life that runs parallel to her own: that of her conflicted, troubled half-brother, once named Bán, and then Valerius, who served as decurion of the Thracian cavalry under the aegis of Rome and is now, unwillingly, back among his own people.

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Boudica: Dreaming the Bull (2004): Manda Scott

★★★★

Boudica: Book II

Naturally it didn’t take long for me to plunge into the second of Manda Scott’s Boudica books after my admiration for the first volume, Dreaming the Eagle. It is just as magisterial and sensitive as its predecessor, with an epic sweep that now opens out far beyond the tribes of Britannia. Rome is, both culturally and geographically, a more significant player here. Perhaps it lacks a little of the tightly-forged focus of that first book, but this is often the case with second instalments, which both open and close mid-action, as it were. But if that’s a flaw, it’s small and scarcely visible in the finely-crafted whole. Weaving between her two protagonists with elegance, and a fine feeling for the grey areas of the soul, Scott creates yet another gripping glimpse of a lost history.

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Boudica: Dreaming the Eagle (2002): Manda Scott

★★★★★

Boudica: Book I

Three years ago, just after finishing the last novel in Dorothy Dunnett’s Niccolò series, I asked for recommendations of similar books to fill the gap. Although Manda Scott’s Boudica novels were mentioned several times, I didn’t follow them up. I think I shamefully leapt to the conclusion, without any evidence whatsoever, that Boudica was just another identikit sword-and-shield historical series. How wrong I was. When I recently found the first book in a second-hand sale, I decided to see what I made of it. And it’s stunning.

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Island of Ghosts (1992): Gillian Bradshaw

★★★★

Hot on the heels of The Beacon at Alexandria, I turned my attention to the other Bradshaw novel I had lined up, and I’m delighted to say that Island of Ghosts proved to be equally enjoyable. Like Beacon it has a classical setting, this time in Roman Britain in 175 AD, and it’s written in the same easy, engaging style. Indeed, its protagonist is thoughtful and self-contained, much like Charis, and there are familiar themes of displacement and the difficulties of finding one’s path as an outsider.

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The Fair Fight (2014): Anna Freeman

★★★★

There were many reasons I decided to give this book a go. It cropped up as an automated recommendation on Goodreads some time ago and the cover’s pretty wonderful; so when I found it in my local secondhand bookshop I snaffled it straight away. Add to that the fact it’s set in my native Bristol, and I simply couldn’t say no. Yet again, I’m pleased to say that Goodreads has come up trumps, because I wasn’t expecting to enjoy it anywhere near as much as I did. This is the best kind of historical fiction: full of convincing period flavour without ever sagging under the preparatory research, and enlivened with meaty characters who often occupy the shifting grey mid-tones of morality and are all the more interesting for it.

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My Cousin Rachel (1951): Daphne du Maurier

★★★★

Spring cleaning is happening later than usual this year, in both blog and household terms, but I thought it was time to polish off some of the posts which have been lurking in my drafts folder. This, for example, is a book I read last summer, and I’ve no idea why I didn’t post about it at the time, because the draft was virtually finished. However, better late than never. I’m aware that I am probably preaching to the converted here: My Cousin Rachel is a modern classic and I should think that many of you bookish types will have already read it. However, if there’s anyone vacillating and waiting for a little bit more of a push, I’ll be happy to add my voice to its advocates.

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The Castrato and his Wife (2011): Helen Berry

★★★★

I’ve had an unintentionally Baroque-themed summer, so you’ve got a series of posts on countertenors and castrati coming up. (I was going to apologise for it in advance, but I’ve changed my mind: if one person discovers Leonardo Vinci or Franco Fagioli because of these posts, I’ll be happy.) It’s all because I’ve spent the summer shuttling back and forth across Europe for work, which sounds glamorous, but actually just means that I’m more familiar with the layout of Schipol airport than anyone could really desire. It’s been hard to concentrate on books so I’ve been trying to teach myself about music instead. You’ve already had my Artaserse post and there’s plenty more where that came from, although I will start reading more novels again soon, I promise.

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The Lords of the North (2006): Bernard Cornwell

★★★½

The Saxon Stories: Book III

Oh Uhtred. How I’ve missed you. Although it’s now been almost a month since I read this, I can still remember how refreshing I found it. That was during my deadline period where I was desperate for non-work-related reading material but entirely lacked the energy or mental capacity to write any blog posts; so I apologise. As you might remember, I’ve already read the first two novels in Bernard Cornwell’s series about Alfred the Great and the third proved to be just the tonic for some undemanding escapism. There are times, of course, when I want complex characterisation and meaty, intricate plots; and then there are times (largely coinciding with deadlines) when quite frankly I relish reading about someone like Uhtred, whose manifesto is short, simple and to the point: ‘That is my land. That is my woman. I will kill you now.’ Excellent.

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